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Simon Gillespie Studio
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Winter 2025 Bulletin
Winter 2025 Bulletin
Simon Gillespie15 January 2026
Autumn 2025 Bulletin
Autumn 2025 Bulletin
Simon Gillespie28 October 2025
Summer 2025 Bulletin
Summer 2025 Bulletin
Simon Gillespie19 June 2025
Exciting news: we're moving!
Exciting news: we're moving!
Simon Gillespie12 March 2025
Old Master week, December 2024
Old Master week, December 2024
Simon Gillespie28 November 2024
Autumn / Winter 2024 Bulletin
Autumn / Winter 2024 Bulletin
Simon Gillespie27 November 2024
Summer 2024 Bulletin
Summer 2024 Bulletin
Simon Gillespie25 June 2024
Winter 2023 Bulletin
Winter 2023 Bulletin
Simon Gillespie20 December 2023
Autumn 2023 Bulletin
Autumn 2023 Bulletin
Simon Gillespie3 October 2023
Summer 2023 Bulletin
Summer 2023 Bulletin
Simon Gillespie27 September 2023
Spring 2023 Bulletin
Spring 2023 Bulletin
Simon Gillespie27 September 2023
Winter 2022 Bulletin
Winter 2022 Bulletin
Simon Gillespie27 September 2023
Autumn 2022 Bulletin
Autumn 2022 Bulletin
Simon Gillespie22 September 2022
Summer 2022 Bulletin
Summer 2022 Bulletin
Simon Gillespie11 May 2022
Spring 2022 Bulletin
Spring 2022 Bulletin
Simon Gillespie11 May 2022
Celebrating Artemisia
Celebrating Artemisia

A rediscovered masterpiece

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Simon Gillespie28 February 2020
Discovering Jordaens...
Discovering Jordaens...

Removal of overpaint reveals a sketch by the Flemish master

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Simon Gillespie30 October 2019
5 Minutes with... Léonie van der Graaf
5 Minutes with... Léonie van der Graaf

Our Head Conservator talks conservation…

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Simon Gillespie29 October 2019
BBC Four 'Britain's Lost Masterpieces' Series 4!
BBC Four 'Britain's Lost Masterpieces' Series 4!

Series 4 launches this week! Will you be watching?

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Simon Gillespie29 October 2019
It's a Pug's Life...
It's a Pug's Life...

See how a bit of careful restoration can bring four pugs back to life (and get Minks’ tail wagging!)

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Simon Gillespie23 September 2019
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Simon Gillespie Studio
Offley Works, 1 Pickle Mews,
London SW9 0FJ,
United Kingdom
+44 (0)20 7493 3900 info@simongillespie.com
Hours
We’re taking part in “Ask a Conservator Day” on Tuesday 4th November 2025! “Ask a Conservator Day” is held in remembrance of the flooding of Florence on 4th November 1966, which resulted in loss of life and damaged or d
“The Chase” by John Nott Sartorius (1759–1828) is one of a set of four hunting scenes painted on thin metal plates, brought to the studio by a client who had newly acquired them. Formerly at Pitlour House in Fife, the paintings had
The Holy Family with Saint Catherine by Hans von Aachen is painted on an exceptionally thin sheet of copper. While copper preserves paint layers with jewel-like clarity, its flexibility often leads to flaking and loss. In this case, areas around Sain
“The Ecstasy of Saint Theresa” by Abraham Willemsens arrived in the studio in a fragile state, painted on a large copper panel so thin it had become warped and punctured over centuries of handling. The delicate metal support had suffered

Follow us on Instagram for behind-the-scenes insights into our conservation work, notable examples of treatments we’ve carried out, and more: @simon_gillespie_studio

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Simon, Léonie, Majo, Emily & Rita are accredited conservator-restorers (ACR), a professional qualification awarded by the Institute of Conservation (ICON), the UK’s professional body of conservators

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