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Simon Gillespie Studio
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Winter 2025 Bulletin
Winter 2025 Bulletin
Simon Gillespie15 January 2026
Autumn 2025 Bulletin
Autumn 2025 Bulletin
Simon Gillespie28 October 2025
Summer 2025 Bulletin
Summer 2025 Bulletin
Simon Gillespie19 June 2025
Exciting news: we're moving!
Exciting news: we're moving!
Simon Gillespie12 March 2025
Old Master week, December 2024
Old Master week, December 2024
Simon Gillespie28 November 2024
Autumn / Winter 2024 Bulletin
Autumn / Winter 2024 Bulletin
Simon Gillespie27 November 2024
Summer 2024 Bulletin
Summer 2024 Bulletin
Simon Gillespie25 June 2024
Winter 2023 Bulletin
Winter 2023 Bulletin
Simon Gillespie20 December 2023
Autumn 2023 Bulletin
Autumn 2023 Bulletin
Simon Gillespie3 October 2023
Summer 2023 Bulletin
Summer 2023 Bulletin
Simon Gillespie27 September 2023
Spring 2023 Bulletin
Spring 2023 Bulletin
Simon Gillespie27 September 2023
Winter 2022 Bulletin
Winter 2022 Bulletin
Simon Gillespie27 September 2023
Autumn 2022 Bulletin
Autumn 2022 Bulletin
Simon Gillespie22 September 2022
Summer 2022 Bulletin
Summer 2022 Bulletin
Simon Gillespie11 May 2022
Spring 2022 Bulletin
Spring 2022 Bulletin
Simon Gillespie11 May 2022
Celebrating Artemisia
Celebrating Artemisia

A rediscovered masterpiece

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Simon Gillespie28 February 2020
Discovering Jordaens...
Discovering Jordaens...

Removal of overpaint reveals a sketch by the Flemish master

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Simon Gillespie30 October 2019
5 Minutes with... Léonie van der Graaf
5 Minutes with... Léonie van der Graaf

Our Head Conservator talks conservation…

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Simon Gillespie29 October 2019
BBC Four 'Britain's Lost Masterpieces' Series 4!
BBC Four 'Britain's Lost Masterpieces' Series 4!

Series 4 launches this week! Will you be watching?

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Simon Gillespie29 October 2019
It's a Pug's Life...
It's a Pug's Life...

See how a bit of careful restoration can bring four pugs back to life (and get Minks’ tail wagging!)

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Simon Gillespie23 September 2019
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Simon Gillespie Studio
Offley Works, 1 Pickle Mews,
London SW9 0FJ,
United Kingdom
+44 (0)20 7493 3900 info@simongillespie.com
Hours

Follow us on Instagram for behind-the-scenes insights into our conservation work, notable examples of treatments we’ve carried out, and more: @simon_gillespie_studio. Click below to view our latest posts:

Did you know that our eyes are more sensitive to texture than to colour? When it comes to repairing damages to the original paint layer and replacing losses, it’s just as important to achieve a match in recreating the original texture as it is
Have you ever wondered why some paintings appear matte or patchy, while others look glossy? And why many old paintings have a yellowish-brown tone? The answer is often varnish.
Most Old Master paintings had a thin transparent varnish layer applied wh
Have you ever been curious about how conservators remove surface dirt from paintings? One of the most frequent challenges we face is how to remove accumulated dust and ingrained dirt from the delicate front and reverse of paintings. Dirt can be categ
Have you ever wondered which materials conservators use for treating paintings, and why? In this mini-series of posts, we will delve into key areas of conservation, discussing the types of tasks we carry out and the materials we use for each task. Fr
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Simon, Léonie, Majo, Emily & Rita are accredited conservator-restorers (ACR), a professional qualification awarded by the Institute of Conservation (ICON), the UK’s professional body of conservators

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